You recognise what we ’re speak about . The affair . You know , that one ? count , let ’s just get past a mollycoddler monition and plunge into what we ’re actually talk about .
There we go , much better .
Now , as you probably do it if you ’ve hazard this far , Avengers : Infinity War ends witha beautiful , tiny glimmering of hopeamong the desperation of Thanos ’ tear rick half of all life into cosmic junk on the air current . As both Nick Fury and Maria Hill notice themselves fading aside , Fury sends out one last monition subject matter in the hopes of get news to the horse cavalry — a substance on a funky - looking space pager that ’s blazon with the aristocratical , red , and amber iconography of Carol Danvers herself , Captain Marvel .

Now , we ’ve got an prescribed , closemouthed - up look at that space pager , thanks to an audience Infinity War VFX executive program Oliver Schulz conducted withArt of VFX :
Look at it , in all its thrum up , in all likelihood - now - Samuel - L.-Jackson - dust - covered glory ! It turns out , accord to Schulz — who puzzle out at RISE , one of several VFX studio that work on the cinema — the pager was never in reality a practical prop . It was whole CG , as was a lot of the post - credits conniption surprisingly , beyond , you know , the obvious bit like the great unwashed turn into dust .
you could learn more about RISE ’s work on Infinity War and specially the VFX involved in the net scene of the moving picture at the connexion below . But for now , we ’ve aim a outer space pager to yearningly look at , as it ’s basically the closest thing to an official moving-picture show of Captain Marvel we really have so far .

[ artistic production of VFX ]
Captain MarvelMarvelmarvel studio
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